Cuban Theater in the Revolution

The Cuban theater in the Revolution
The Cuban theater in the Revolution

Overview of Cuban Theater in the Revolution

Throughout the Cuban theatrical history, social development has served as support for the development of this artistic expression.

This has enabled it to show directly and consistently different social strata. In the case of the Cuban theater in the Revolution, it is noteworthy that since the revolutionary triumph, a new page for the cultural development of the island, especially for the Cuban theater performance opens.

The popular amusement becomes a possibility and also a commitment to national playwrights, which have now the opportunity to work for both the country and the art.

For the first time both causes merged into one, allowing the theater to make effective the service of development of the revolution weapon. This meant that the theater should express the needs of the revolutionary process and collaborate with its transformation.

Development Prospects of the Cuban Theater in the Revolution

Many and varied are the prospects that are found in the performance of Cuban theater in the Revolution.

This finding highlights new possibilities for great theater and experimentation towards stage concepts, shows with a mixture of different genres: ballet theater, dance theater, musicals, etc.

So, too, numerous efforts were made in this period to consolidate the Cuban opera and it was given a significant boost to the promotion of humorous groups that have an annual festival.

There are also theater projects riding new versions of the great classics of universal theater. Moreover, there have been updated versions of forgotten plays.

At present, there is a strong theatrical tradition. In fact, every year the Theatre Festival takes place in Havana, which brings together Cuban and foreign companies on a major event that attracts thousands of spectators, since it constitutes a true celebration of the art of the tables in the island.

The theater festival has been imposed as an important event for Cuban theater artists and it gets an important recognition as a meeting with personalities from other countries.

Among the most significant authors in Cuban theater in the Revolution we can mention Abelardo Estorino, José Triana, Anton Arrufat, Ignacio Gutierrez, Eugenio Hernandez, Jose Milian, Hector Quintero, Matías Montes Huidobro, Manuel Reguera Saumell, Maite Vera, Raul Gonzalez Cascorro, Romulus Loredo, Fermin Borges, René Ariza among others.

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